Nambafa
Graphics tutorials
Downloads: TUT17.zip
╒═══════════════════════════════╕ │ W E L C O M E │ │ To the VGA Trainer Program │ │ │ By │ │ │ DENTHOR of ASPHYXIA │ │ │ ╘═══════════════════════════════╛ │ │ ────────────────────────────────┘ │ ────────────────────────────────┘ --==[ PART 17 ]==-- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ■ Contents - Introduction - Pixel Morphing - Static - In closing =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ■ Introduction Hi there everybody. It's a new year, but the parties are over and it's time to get coding again! My mailserver died. Various sysadmins decided it was time to upgrade the OS, and wound up nuking the hard drive :-( ... this means that request-list is not working at the moment, and I have probably lost lots of mail. denthor@beastie.cs.und.ac.za is still the account to write to, and hopefully the mailserver will be back up in the near future. There are various C/C++ conversions of my trainer, best of which seem to be those by Snowman ... he runs through the text files with C++ updates (and seems to point out my previous mistakes with glee ;-), as well is giving a fully documented C++ conversion of the source ... very nice stuff. Also, my trainers are being put on a World Wide Web site ... it is still under construction, but go to http://www.cit.gu.edu.au/~rwong my site is at http://goth.vironix.co.za/~denthor ... it is currently pretty awful, anyone want to write a nice one for me? ;) I have just about finished Asphyxia's new game, I will let you all know when it is completed. Tut 16 dies with large bitmaps ... the way to sort this out is to decrease the accuracy of the fixed point from 256 to 128 ... then you can have bitmaps up to 512 pixels wide. I will be putting an updated scale routine in the gfx4.pas unit. This tutor is on a few demo effects (pixel morphs and static) ... after this one, I will go on to more theory ... perhaps some more 3d stuff, such as gourad shading etc. Comments? If you would like to contact me, or the team, there are many ways you can do it : 1) Write a message to Grant Smith/Denthor/Asphyxia in private mail on the ASPHYXIA BBS. 2) Write to : Grant Smith P.O.Box 270 Kloof 3640 Natal South Africa 3) Call me (Grant Smith) at (031) 73 2129 (leave a message if you call during varsity). Call +27-31-73-2129 if you call from outside South Africa. (It's YOUR phone bill ;-)) 4) Write to denthor@beastie.cs.und.ac.za in E-Mail. 5) Write to asphyxia@beastie.cs.und.ac.za to get to all of us at once. NB : If you are a representative of a company or BBS, and want ASPHYXIA to do you a demo, leave mail to me; we can discuss it. NNB : If you have done/attempted a demo, SEND IT TO ME! We are feeling quite lonely and want to meet/help out/exchange code with other demo groups. What do you have to lose? Leave a message here and we can work out how to transfer it. We really want to hear from you! =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ■ Pixel Morphing Have you ever lain down on your back in the grass and looked up at the cloudy sky? If you have, you have probably seen the clouds move together and create wonderful shapes ... that cloud plus that cloud together make a whale ... a ship ... a face etc. We can't quite outdo mother nature, but we can sure give it a shot. The effect I am going to show you is where various pixels at different starting points move together and create an overall picture. The theory behind it is simple : Each pixel has bits of data associated with it, most important of which is as follows : This is my color This is where I am This is where I want to be. The pixel, keeping it's color, goes from where it is to where it wants to be. Our main problem is _how_ it moves from where it is to where it wants to be. A obvious approach would be to say "If it's destination is above it, decrement it's y value, if the destination is to the left, decrement it's x value and so on." This would be bad. The pixel would only ever move at set angles, as you can see below : Dest O-----------------\ \ <--- Path \ \ O Source Doesn't look very nice, does it? The pixels would also take different times to get to their destination, whereas we want them to reach their points at the same time, ie : Dest 1 O-------------------------------O Source 1 Dest 2 O-----------------O Source 2 Pixels 1 and 2 must get to their destinations at the same time for the best effect. The way this is done by defining the number of frames or "hops" needed to get from source to destination. For example, we could tell pixel one it is allowed 64 hops to get to it's destination, and the same for point 2, and they would both arrive at the same time, even though pixel 2 is closer. The next question, it how do we move the pixels in a straight line? This is easier then you think... Let us assume that for each pixel, x1,y1 is where it is, and x2,y2 is where it wants to be. (x2-x1) = The distance on the X axis between the two points (y2-y1) = The distance on the Y axis between the two points If we do the following : dx := (x2-x1)/64; we come out with a value in dx wich is very useful. If we added dx to x1 64 times, the result would be x2! Let us check... dx = (x2-x1)/64 dx*64 = x2-x1 { Multiply both sides by 64 } dx*64+x1 = x2 { Add x1 to both sides } This is high school math stuff, and is pretty self explanitory. So what we have is the x movement for every frame that the pixel has to undergo. We find the y movement in the same manner. dy := (y2-y1)/64; So our program is as follows : Set x1,y1 and x2,y2 values dx:= (x2-x1)/64; dy:= (y2-y1)/64; for loop1:=1 to 64 do BEGIN putpixel (x1,y1) wait; clear pixel (x1,y1); x1:=x1+dx; y1:=y1+dy; END; If there was a compiler that could use the above pseudocode, it would move the pixel from x1,y1 to x2,y2 in 64 steps. So, what we do is set up an array of many pixels with this information, and move them all at once ... viola, we have pixel morphing! It is usually best to use a bitmap which defines the color and destination of the pixels, then randomly scatter them around the screen. Why not use pixel morphing on a base object in 3d? It would be the work of a moment to add in a Z axis to the above. The sample program uses fixed point math in order to achieve high speeds, but it is basically the above algorithm. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ■ Static A static screen was one of the first effects Asphyxia ever did. We never actually released it because we couldn't find anywhere it would fit. Maybe you can. The easiest way to get a sreen of static is to tune your TV into an unused station ... you even get the cool noise effect too. Those people who build TV's really know how to code ;-) For us on a PC however, it is not as easy to generate a screen full of static (unless you desperately need a new monitor) What we do is this : Set colors 1-16 to various shades of grey. Fill the screen up with random pixels between colors 1 and 16 Rotate the pallette of colors 1 to 16. That's it! You have a screenfull of static! To get two images in one static screen, all you need to do is fade up/down the specific colors you are using for static in one of the images. A nice thing about a static screen is that it is just pallette rotations ... you can do lots of things in the foreground at the same time (such as a scroller). =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ■ In closing Well, that is about it ... as I say, I will be doing more theory stuff in future, as individual demo effects can be thought up if you know the base stuff. Note the putpixel in this GFX3.PAS unit ... it is _very_ fast .. but remember, just calling a procedure eats clock ticks... so imbed putpixels in your code if you need them. Most of the time a putpixel is not needed though. PCGPE ][ will be out on the 10th of Feburary. All the new tutors will be on it (if you aren't reading this from it right now! ;-) ... grab a copy of it, it is a very useful ting to have handy. I have found out that these tutors have been distributed inside paper magazines ... please remember that Denthor and Asphyxia retain full copyright to the series (as mentioned earlier in the series), and if you want to use a version in a magazine, CONTACT ME FIRST ... I will probably also modify it/cut out various unneccesary things ... other then that, you must not alter the files without my permission, or at least leave a copy of the origional with the update. Maybe I could even start up a nice column for some magazine or other :) Sorry 'bout that, but it had to be said ... I am writing a column for the Demuan list, a Florida-based electronic magazine ... pick it up off ftp.eng.ufl.edu ... I have written various articles, all bordering on quote-like design. There are more BBS's to be added to the list at the end, but I don't have them here... this tut has taken long enough ;-) Byeeeee.... - Denthor The following are official ASPHYXIA distribution sites : ╔══════════════════════════╦════════════════╦═════╗ ║BBS Name ║Telephone No. ║Open ║ ╠══════════════════════════╬════════════════╬═════╣ ║ASPHYXIA BBS #1 ║+27-31-765-5312 ║ALL ║ ║ASPHYXIA BBS #2 ║+27-31-765-6293 ║ALL ║ ║C-Spam BBS ║410-531-5886 ║ALL ║ ║POP! ║+27-12-661-1257 ║ALL ║ ║Soul Asylum ║+358-0-5055041 ║ALL ║ ║Wasted Image ║407-838-4525 ║ALL ║ ║Reckless Life ║351-01-716 67 58║ALL ║ ║Mach 5 BBS ║+1 319-355-7336 ║ALL ║ ╚══════════════════════════╩════════════════╩═════╝ Leave me mail if you want to become an official Asphyxia BBS distribution site.Downloads: TUT17.zip